STREET ART

My entry into street art began with stencil work back in 2002 while I was at university. I was drawn to the boldness of high-contrast imagery, especially the way stencils were used in revolutionary art to deliver powerful messages with minimal means.

That early influence pulled me deeper into the scene I started painting letters and getting into street bombing. What kept me coming back was the urgency. The drive to get my image or message up, fast and raw, became addictive. It wasn’t just about creating art; it was about making a mark, being seen, even if only for a moment.

I’ve always loved the transient nature of graffiti it resonates with me. No matter how hard we try, nothing lasts forever. There’s something honest in that impermanence. It makes every piece, every tag, every wall feel alive part of a constant cycle of change.